“I Had to Turn Off the TV for My Kids!”: Dale Earnhardt Jr. Says He Felt Humiliated by Bad Bunny’s Super Bowl LX Performance

Super Bowl LX was supposed to be a night of unity, celebration, and spectacle — a cultural moment where sports, music, and American tradition collide under the brightest lights on the planet. Instead, the halftime show has ignited a firestorm that refuses to cool down, and at the center of the controversy stands an unexpected voice: NASCAR legend Dale Earnhardt Jr.
In a statement that quickly went viral across social media, Earnhardt Jr. didn’t mince words when reacting to Bad Bunny’s headline performance. “I had to turn off the TV for my kids,” he said bluntly, a remark that instantly divided fans into opposing camps. For some, it was a relatable expression of parental concern. For others, it was an overreaction — or worse, an attack on modern pop culture.
The Bad Bunny halftime show had all the ingredients of a global spectacle: explosive choreography, provocative visuals, pulsating bass lines, and an unapologetically edgy aesthetic that has become synonymous with the Puerto Rican superstar. But what thrilled millions of fans around the world left others uncomfortable, particularly viewers watching with their families.
Earnhardt Jr., known for his candid personality and strong connection with Middle America, later elaborated on his reaction. According to people close to him, he felt the performance crossed a line, not musically, but culturally. The issue, he suggested, wasn’t about language or genre — it was about what he viewed as a lack of consideration for the Super Bowl’s uniquely broad audience.
“The Super Bowl isn’t a late-night concert,” one longtime NASCAR insider paraphrased Earnhardt Jr.’s sentiment. “It’s the one night a year where kids, grandparents, casual fans, and hardcore sports people all sit in the same room. That matters.”

Within hours, clips of the performance and screenshots of Earnhardt Jr.’s comments were spreading across Facebook, X, and TikTok. Supporters praised him for “saying what a lot of parents were thinking but were afraid to say.” Critics accused him of being out of touch, arguing that the Super Bowl halftime show has evolved alongside popular culture and global audiences.
Bad Bunny’s fanbase, famously loyal and loud, wasted no time responding. Many pointed out that halftime shows featuring artists like Madonna, Shakira, Jennifer Lopez, and even Prince had also faced backlash in their time — only to later be celebrated as iconic. Others argued that the outrage revealed a deeper discomfort with Latin culture taking center stage on America’s biggest platform.
What made Earnhardt Jr.’s comments particularly striking was his choice of words. “Humiliated” is not a term usually associated with watching a football game. For him, the feeling wasn’t embarrassment for himself, but for the situation — being unable to share a cultural moment with his children without feeling the need to shield them from it.
Media analysts quickly jumped on the story, noting how perfectly it encapsulated the ongoing clash between tradition and transformation. The Super Bowl has long tried to walk a tightrope: appealing to younger, global audiences while retaining its family-friendly image. Each year, that balance becomes harder to maintain.

From a ratings standpoint, Bad Bunny’s performance was a massive success. Streaming numbers surged immediately after the show, and his music dominated trending charts within minutes. Advertisers targeting Gen Z and international viewers called the halftime show a win. Yet controversy, as always, came with the territory.
Earnhardt Jr. has never positioned himself as a culture warrior, which is why his reaction resonated so strongly. He isn’t a politician, a pundit, or a shock-jock. He’s a retired driver, a father, and a voice many fans associate with authenticity rather than outrage. That credibility is precisely what gave his words weight — and why they stung.
The NFL, for its part, remained silent on the criticism, sticking to its usual post-game messaging about record viewership and cultural impact. Privately, league insiders acknowledge that backlash is now an expected byproduct of any halftime show, regardless of who performs.
Still, the question lingers: who is the Super Bowl really for in 2026?

For some, it’s a global stage reflecting the realities of modern music and expression. For others, it remains a shared family ritual that should err on the side of inclusivity — especially for children. Earnhardt Jr.’s comments didn’t provide an answer, but they forced the question back into the spotlight.
As debates rage on and think pieces pile up, one thing is clear: Super Bowl LX will be remembered not just for what happened on the field, but for what happened during those 15 minutes of halftime. Love it or hate it, Bad Bunny’s performance did exactly what the NFL both hopes for and fears — it made everyone talk.
And in the end, perhaps that’s the real uncomfortable truth behind Earnhardt Jr.’s reaction. The game has changed. The audience has changed. And the Super Bowl, once a safe common ground, is now a mirror reflecting a culture that no longer agrees on where the line should be drawn.